| amy_thomson ( @ 2004-10-19 06:37:00 |
Poetry Me-me-meme
Okay, I've been resisting this, waiting for just the right poem. And to hell with it, here's one that's just plain funny. I want to paint it on my mailbox. It's by Wendell Berry, from his collection A Part.
Throwing Away the Mail
Nothing is simple,
not even simplification.
Thus, throwing away
the mail, I exchange
the complexity of duty
for the simplicity of guilt.
I'm pretty much of an auto-didact when it comes to poetry. One morning, when I was in college, I walked into the University of Idaho Women's Center. There was this fine-boned, small woman on the couch, and there were these WORDS coming out of my mouth. I was just blown away. It was Olga Broumas, and she was doing poetry. Despite having gone to a lot of expensive private schools, somehow nobody managed to convey that poetry wasn't about words arranged funny on a page, poetry was about how it SOUNDED! And I was hooked. I inflicted bad poetry on the universe for a while and then the muse just dried up and went somewhere else, damn it. These days I write maybe one poem every year or so, and don't show them to a soul.
As far as reading poetry, I subscribe to the Big Fat Poetry Anthology theory of poetry, in which one keeps a BFPA close at hand. In the bathroom, say, or on my desk. I flip through it until I come to a poem I like, and if I really like several by that poet, I go out and buy a Big Fat Poetry collection by that author, and keep it handy for a while.
Among my faves are: Olga Broumas, e. e. cummings, Robert Frost, William Carlos Williams, Gary Snyder, Wendell Berry and Emily Dickinson.
Okay, I've been resisting this, waiting for just the right poem. And to hell with it, here's one that's just plain funny. I want to paint it on my mailbox. It's by Wendell Berry, from his collection A Part.
Throwing Away the Mail
Nothing is simple,
not even simplification.
Thus, throwing away
the mail, I exchange
the complexity of duty
for the simplicity of guilt.
I'm pretty much of an auto-didact when it comes to poetry. One morning, when I was in college, I walked into the University of Idaho Women's Center. There was this fine-boned, small woman on the couch, and there were these WORDS coming out of my mouth. I was just blown away. It was Olga Broumas, and she was doing poetry. Despite having gone to a lot of expensive private schools, somehow nobody managed to convey that poetry wasn't about words arranged funny on a page, poetry was about how it SOUNDED! And I was hooked. I inflicted bad poetry on the universe for a while and then the muse just dried up and went somewhere else, damn it. These days I write maybe one poem every year or so, and don't show them to a soul.
As far as reading poetry, I subscribe to the Big Fat Poetry Anthology theory of poetry, in which one keeps a BFPA close at hand. In the bathroom, say, or on my desk. I flip through it until I come to a poem I like, and if I really like several by that poet, I go out and buy a Big Fat Poetry collection by that author, and keep it handy for a while.
Among my faves are: Olga Broumas, e. e. cummings, Robert Frost, William Carlos Williams, Gary Snyder, Wendell Berry and Emily Dickinson.